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Exhibition: Cardiff before Cardiff

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More than a thousand photography negatives and three hundred prints taken by Cardiff photographer Keith S. Robertson during the late 1970s and early 1980s, were found whilst Warwick Hall in Gabalfa, Cardiff was renovated in late 2010. Discovered by Cardiff-based freelance photographer, Jon Pountney, it forms the basis of an exhibition depicting Cardiff’s history.

Although only 30 years old, the scenes of the city’s areas of Splott, Butetown and Adamsdown in Keith’s photographs seem a world away from the Cardiff that we know today. Mr Pountney used 35mm film throughout the project, and has also built a custom darkroom to print all of the photographs for the exhibition to stay true to the original work.

Details of this new exhibition, titled Cardiff Before Cardiff, can be found here, and you can view some of them here.

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Arctic Photography Help

It's a contemporary question, but I'm keeping my fingers crossed that historical knowledge (as it so often does) will provide the key...

I am looking for any advice on tips and tricks for overcoming the problems of photographing in May in North West Greenland using digital, polaroid and pinhole?

Has anyone advice from their knowledge of historical photographic expeditions into the sub zero areas of the globe that would be useful?

Any and all help appreciated!

Mort Marsh

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Here's the latest Newsletter, which covers this controversion subject: http://www.iphotocentral.com/news/issue_view.php/199/189 .  Too much bad information has been circulating about this auction.  The newsletter has a lot of other important stories as well, which are noted below:

FRENCH POLICE INVESTIGATE POSSIBLE FORGERY OF 19TH-CENTURY PHOTOGRAPHS AUCTIONED AT ARTCURIAL DEAUVILLE; CLASSIC PHOTOGRAPHY LOS ANGELES SHOW A MORE PERSONALLY SIZED FAIR; PHOTO LA STRUGGLES TO FIND ITSELF; NEWS ABOUT CONTEMPORARY WORKS ARTISTS; THE MALCOLMSON COLLECTION--"PHOTOGRAPHY COLLECTED US"; FASHION PHOTOGRAPHER LILLIAN BASSMAN DIES; YASUHIRO ISHIMOTO PASSES AWAY IN TOKYO; EUGENE "GENE" PRAKAPAS PASSES AWAY; WINE AND PHOTOGRAPHS: SINGER CELLARS SCORES HIGH; ROBERT MAPPLETHORPE PHOTOS WANTED; PHOTO BOOKS: KALISHER'S THE ALIENATED PHOTOGRAPHER; THREE BOOKS OF MILLER'S VINTAGE AMERICANA IMAGERY; FELICE BEATO; AND DEALER HERTZMANN'S CATALOG
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12200945452?profile=originalThe Barbican will be celebrating its 30th birthday this Thursday. Amongst one of the biggest celebrations planned for this year will be a photography exhibition in the autumn focusing on the 1960s and 1970s, and will include renowned photographers from across the globe, all working during two of the most memorable decades of the 20th Century.

Featuring a pantheon of leading figures of modern photography including David Goldblatt, Boris Mikhailov and Bruce Davidson, this exhibition tells a history of photography, through the photography of history. Details will be provided in BPH once published.

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Robert Elwall, Assistant director of the RIBA’s British Architectural Library, and the founder and curator of the RIBA Library Photographs Collection and RIBApix collapsed and died suddenly after a short illness. Robert had been continuing to work on various projects at RIBA.

Robert was a great writer of books and papers on photography and architecture in its broadest sense. A number of his articles are collected here: http://www.culture24.org.uk/am69854  He will be sorely missed. 

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12200944494?profile=originalThe Death of Poor Joe, which dates back to March 1901, was discovered by British Film Institute (BFI) curator Bryony Dixon, in February 2012. It is the oldest surviving film featuring a Charles Dickens character, discovered in the year of the 200th anniversary of the author's birth.

George Albert Smith was one of the most important figures in Victorian cinema. Smith saw and appreciated the Lumière programme in Leicester Square in March 1896. A group of film producers, which included Alfred Darling and James Williamson and known as the Hove Pioneers, established themselves in Brighton and Hove from 1897 onwards.

Smith was instrumental in the development of continuity editing. He knew and corresponded with Georges Méliès at this time. Méliès featured in the recent multiple Oscar winning film, Hugo.

Hove Museum has a permanent display on Smith, as well as Williamson.

 

 

 

 

 

 

 

 

http://www.bbc.co.uk/news/entertainment-arts-17298021

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Minnie Weisz's first London collodion wet-plate photography workshops were taught by France Scully Osterman and Mark Osterman in 2009/2010. Following in the footsteps of Frederick Scott Archer, the inventor of the collodion process in 1851, our 2012 weekend workshops are led by Jo Gane and John Brewer, experts in the field of 19th Century Photographic processes in the UK.

Learn to make unique images direct onto glass, aluminium and acrylic. Create portrait and still life images in the studio. Join our Collodion circle in King’s Cross.

There are just two places left for each weekend : 17th/18th - 24th/25th - 31st/1st April  - with each taking 6 people. The studio is offering a 10% discount for students. Weekend workshops are £320 for 2 days tuition, hands-on approach, making at least 7 plates each per workshop weekend.

HISTORIC PHOTOGRAPHIC PROCESSES - MARCH 2012. 

MINNIE WEISZ STUDIO,  123 PANCRAS ROAD KING’S CROSS NW1 1UN

Click here to learn more:  Historic%20Photographic%20Processes_workshop_preview2.pdf.

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Exhibition: In the Blink of An Eye

The National Media Museum's In the Blink of an Eye Media & Movement exhibition opens from 9 March. Featuring classic images and new commission work the show is part of the 2012 Cultural Olympiad. One of the new works can be seen here: 

The exhibition has been curated by Colin Harding and runs until 2 September 2012. For more information: http://www.nationalmediamuseum.org.uk/PlanAVisit/Exhibitions/Future.aspx

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Purpose of the Job: Delivers the work for the NMSI Collections Information team at the National Media Museum and National Railway Museum in accordance with policies, procedures, data standards and best practice

• creates and enhances the primary and authoritative collections record

• undertakes collections projects

Key Deliverables/Accountabilities

1. Takes care of personal health and safety and that of others, reports and takes action to resolve any health and safety concerns

2. Undertakes Collections Management administration tasks adhering to procedures and data standards for Acquisition, Damage, Disposals, Inventory, Loans (including loans in, loans out, indemnities, insurance, security checks and historic loans), Location Audit, Location & Movement Control, Loss and Object Catalogue upgrade.

3. Creates and enhances an authoritative collections record to ensure that NMSI is accountable for its collections and collections information. Follows procedures to ensure NMSI fulfils legal responsibilities for Due Diligence and Immunity from Seizure. Assists with a programme of data cleaning and building up of authority files to optimise the usefulness of the MIMSY XG object database and iBase image database.

4. Supports and delivers creative offerings, such as web and exhibition projects, to increase access to the collections to achieve the aims of the Science, Media and Railway brands. Contributes to the delivery of NMSI business objectives in line with collections management best practice as outlined in the MLA Accreditation standard.

5. Works with objects to record object and condition data, particularly for projects that involve object movement such as exhibitions, loans (including couriering) and gallery decants. Ensures that information and object movements are properly documented and recorded in accordance with policy. Undertakes record photography. Facilitates object assessment so that the collections can be rationalised and utilised effectively.

6. Documents hazardous materials and objects to ensure that the museum manages them, operates safely and complies with Health & Safety legislation.

7. Provides help, advice and training for all database users that conforms to best practice and follows established procedures. Assists with the revision of procedures, policies and protocols and development of the database. Assists with object and documentation enquiries (internal and external) and the provision of statistical data.

8. Assists with the scoping of Volunteer projects. Supervises volunteers working on Documentation projects and monitors their work and outputs.

 

 

Working Relationships and Contacts

• NMSI Collections Information Manager for direction, guidance and support

• Head of Corporate & Collections Information (senior line manager) for direction, guidance and support

• NMSI Collections Information Officers in Corporate & Collections Information team (co-workers)

• NMSI Corporate Information & Enquiries Officer (files)

• Conservation and Collections Care, including Collections Hazards Officer (object handling, preventative care, hazards), Storage and Movement (Logistics) teams (object and manual handling)

• Science Museum Photo Studio & Imaging team (photographs; copyright and IPR)

• Curators/Curatorial Services (stakeholders)

• Exhibitions and Development teams (exhibitions/temporary exhibitions at all sites)

• Workshops (specialist assistance with objects at NRM and ScM)

• Donors, vendors, lenders and borrowers

• Arts Council England - Indemnity Manager and Security Officer

• Shipping Agents

• Volunteer Co-ordinator (recruitment of volunteers)

• Volunteers and interns (supervision whilst working on Documentation projects)

• Other Project Directors and Managers, as appropriate

Line Management and Budget Responsibility

Directly line manages: 0

Indirectly line manages: 0

Contractors/freelancers: 0

Budget Holder of £ 0

 

Candidate Profile

 

Experience

• Experience in documenting collections including collections registration and object cataloguing

• Experience of handling museum objects

• Experience of using collections management procedures

• Experience of using a collections database, e.g. MIMSY XG

• Experience of using Authority files and thesauri

 

Skills, Knowledge and Relevant Qualifications

• Knowledge of the procedures for documenting museum collections including application of data standards

• Excellent written and oral communication and information sharing skills

• Ability to plan and schedule programmes of work and activities to ensure a timely delivery of the team’s work programme

• Ability to meet tight deadlines whilst maintaining agreed standards

• Ability to work to an excellent standard of accuracy, particularly when creating database records

• Good problem-solving skills

 

Behaviours

• Demonstrates excellent interpersonal skills

• Pays meticulous attention to detail

• Ability to use judgement and make decisions within policy and precedent

• Supportive and collaborative team working style

• Ability to follow procedures and protocols consistently

• Actively explores ideas for improvement

• Takes pride in delivering work to a high standard

• Uses initiative

 

Scope for Impact

The National Museum of Science & Industry Collections Information team ensures and delivers best practice collections documentation and management activities, policies and procedures which support our ownership of the collections and underpin our status as a national museum; thereby enabling the Science Museum, The National Railway Museum and The National Media Museum to deliver the public offer. It ensures that each museum meets the MLA Accreditation Scheme requirements.

 

As a member of the NMSI Collections Information team the jobholder contributes to the delivery of core functions which underpin the programme of, acquisitions, loans in and out, exhibitions (real and virtual), gallery clearances, audits and efficient management of the collections. Failures in this area could jeopardise the achievement of major projects (including the Corporate Plan and Business Plan) and objectives and lead to regulatory lapses and potential legal and/or financial liability.

 

Please note:

• This job description is not exhaustive and amendments and additions may be required in line with future changes in policy, regulation or organisational requirements, it will be reviewed on a regular basis.

• This role is subject to a Disclosure Scotland basic criminal record check

 

Required Skills:

National Media Museum, Bradford

Collections Information Officer

21 hours per week Salary £16,605 pro rata

 

23 months fixed term contract

 

The Corporate & Collections Information team is seeking a committed and experienced individual to work with our collections while delivering the highest standards in collections registration and documentation practice.

 

You will be based at the National Media Museum and play a key role in developing and maintaining the primary record of the collections across NMSI’s family of museums.

 

You will have previous experience of working on a collections registration, documentation or inventory project, and object handling in a museum or gallery setting. You will have demonstrable knowledge of relevant standards and procedures.

 

You will work with objects to record object and ensure information, hazardous materials and object movements are properly documented and recorded.

 

You will be self-motivated, very organised and able to work under pressure while maintaining a thorough attention to detail. You will be an excellent team player and an effective communicator. You will have a high level of computer literacy and experience of using a collections management database, such as MIMSY XG, and Microsoft Office applications.

 

For further information about NMSI, details on how to apply and a full job description, please visit https://vacancies.nmsi.ac.uk

 

 

Job Description:

NMSI Job Description

 

Salary: £16,605 p.a.

 

Reference CIO/12

 

Closing date: 19 March 2012

 

Interview date: 29 March 2012

 

Application Instructions:

To apply, please visit our recruitment websire https://vacancies.nmsi.ac.uk

 

Closing date is 19th March 2012 with interviews only being held on 29th March 2012.

 

Contact Name:                   Mrs Elizabeth Sloan van Wyk

Contact Tel:         01904686249

Contact Fax:        

Contact Email:    recruitment@nmsi.ac.uk

Website:                https://vacancies.nmsi.ac.uk

Address:                National Media Museum, Pictureville, Bradford, BD1 1NQ.


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12200888865?profile=originalSource magazine reports that Charlotte Cotton is resigning from her position as Creative Director for London Galleries at the National Media Museum, a position she took up in October 2009 (see:http://britishphotohistory.ning.com/profiles/blogs/uk-exclusive-cha...). The Galleries called MediaSpace have been beset with delays and difficulties with raising funds and are currently due to open at London’s Science Museum in March 2013. In a conversation this evening a source close to the museum has explained to BPH that Cotton had stepped down as she feels that the work she was asked to do in terms of establishing the vision for MediaSpace had been completed and she felt it was time to move on. There is further substantive and exciting news which BPH will be in a position to report on early next week.  

There have been tensions between Cotton's view as articulated in various seminars and the National Media Museum's broader view. Cotton developed the MediaSpace concept as a venue which represented, and employed, a wide range of media which was a change from the previous plan for a temporary exhibition gallery, mainly used to show photography. The current plans are to showcase material from the Bradford-based museum's collections in London and to use the temporary exhibition area to show exhibitions which would then move to Bradford, as well as showing Bradford exhibitions in London.  Cotton also specified that the proposal was for a space which operated for ten years and embraced the situation of the gallery in the Science Museum rather than in an art institution. Work has recently started on adapting the space although significant fundraising is still required to complete the project. 

However, after delivering her blueprint for the Media Space in December 2009 the project increasingly ran into difficulties. In April 2010 Board members expressed their ‘strong concerns about the budget of the overall project and its feasibility’.

The Museum is currently recruiting for a new Head to replace Colin Philpott who leaves in April. The post is being downgraded from Director and will report directly to the Deputy Director of the Science Museum. The Science Museum is keen to establish closer operational ties to the National Media Museum as the MediaSpace project develops - a project that the Science Museum had initial reservations about - and to ensure it comes to fruition.  

Cotton has declined to comment to Source. The Science Museum and National Media Museum would not confirm the news and were referring all enquiries to Brunswick the PR agency for MediaSpace which has been unavailable for comment to BPH.

See: http://source.ie/sourcephoto/?p=737 for the full report. '

Amateur Photographer magazine carries a further report on Cotton's departure: http://www.amateurphotographer.co.uk/news/Media_Space_director_did_not_quit_over_funds_claim_museum_chiefs_news_311739.html

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Talk: Early Herefordshire Photographers

12200937881?profile=originalA basic introduction to Winterbourn, Watkins, Morgan and others. This lecture will look at the technology available to these pioneers of photography in Hereford, who were instrumental in capturing and freezing moments in time. We will see the recent discoveries of images taken by these photographers that enable us to find out more about our Victorian and Edwardian past in the County.

Details can be found here.

Photo: Copyright Norro.

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12200936277?profile=originalMuch has been written about this anticipated BBC production between the pages of BPH. Well, the wait is finally over as the first two episodes will be broadcast on BBC 2 next Monday 12th and Tuesday 13th March at 6:30pm, in full HD glory.

Broadcaster John Sergeant follows in the footsteps of Victorian pioneer photographer Francis Frith who, in the 1860s embarked upon a monumental mission to attempt to document every city, town and village in Britain. John travels the country to discover more about this extraordinary man and his team and the unique record they left behind. John finds out what's changed, what's stayed the same and what has gone forever, and along the way he takes his own photographs inspired by the image taken by a Frith cameraman.

For the first episode (Chelsea to Tower Bridge), this round-Britain trip begins in London, where John will meet the first ever lady Chelsea Pensioner, find out about the real Eliza Doolittles who inspired My Fair Lady and descend deep under Tower Bridge to witness Victorian engineering at its most impressive.

In the second episode (Gravesend to Broadstairs), John travels along the North Kent coast from Gravesend to Broadstairs and finds out how much it has changed since Frith was there over a century ago; he also takes his own modern day photographs. He hitches a ride on a Thames sailing barge, finding out what people used to do in their leisure time in the 19th century and drops in on the new owners of Charles Dickens' favourite holiday home.

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The National Museum of Science and Industry today confirms that its media galleries will open in spring 2013. The Media Space will be sited on 2nd floor of the Science Museum and it will consist of a breathtaking gallery for the exhibition of visual media surrounded by cultural spaces for exploring, discussing, testing and exhibiting creative technologies. The project will cost £4 million and is the fruit of the partnership between the Science Museum and the National Media Museum.

Commenting on the announcement, Ian Blatchford Director, National Museum of Science and Industry said “Establishing a home for creative practice and the creative industries in one of London’s most vibrant and innovative spaces has long been our ambition and I am pleased to see it realised. The National Media Museum’s world class exhibitions and collections will be a fantastic new offer for our visitors.”

Charlotte Cotton will step down as the Creative Director of the space from March 2012 having developed the curatorial vision for the space.

Heather Mayfield said, “Working with Charlotte has been an enlightening and inspirational experience. We are privileged to have worked with one of the finest curatorial minds in the fields of photography & the wider media.”

Charlotte Cotton said, “Bringing this vision into reality alongside the Science and National Media Museum teams has been a pleasure. I look forward to its opening in 2013.” 

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Hello All,

Last year I purchased a collection of photographs that are mostly 19th century albumen format. In this collection are two photos of India with the photographer's named scratched into the negative. I've included both photos, as well as both signatures. The signature that's just the last name looks to me like "Carrey, Currey, etc?" The other signature, which is partially trimmed, looks like "W. L. Carr...?" They appear to by the same hand.

Can anyone out there provide me with any information concerning this photographer? I might be "way off' as far as the last name is concerned, but I can't find anything here in the United States. I do appreciate any feedback.

 

Kind regards,

John Minichiello

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'London Stereoscopic Company' camera

I have a small antique metal fold-out camera which carries the name 'The London Stereoscopic Co., 106 & 108 Regent St W'. I wonder if you have any interest in it.

I  think it is working, at least the shutter is working. It has a black metal faceplate with a rectangular sliding viewfinder glass with crosshairs that projects to the left of the camera when one slides it out. The sliding plate containing the viewfinder cocks the shutter when it is slid to the right fully - the release button on the top right causes the shutter to open, allowing light through the round aperture, to expose the slide at the back of the bellows. But there is no lens in the round aperture: can this result in a focussed image, or is there a part of the camera missing? I can't see where a lens could fit: it couldn't go on the front without blocking the sliding plate, and I don't think it could go inside; is there such a thing as a lensless camera?

It is a beautifully packaged and seemingly complete set, down to the ivory notepad and pencil, and in beautiful condition; the bellows is like new. There are some screws missing from the faceplate - someone obviously had it open in the past, and there is a mechanism broken at the bottom left of the faceplate. But until I had some idea of how it is supposed to work, it's hard to say if it is complete or not.

Maybe one of you can identify the camera, and I can figure out what needs to be done to restore it.It is very compact, measuring about 114mm x 70 mm x 50mm when closed, but the width increases to 125mm when the bellows is extended. It uses  74mm x 110 mm ELGE Brevite S606 plate holder slides. When the viewfinder plate is slid to the left, it exposes a circular aperture in the centre of the faceplate, but no lens is visible. The number No 4348 is printed on the bottom of the faceplate. The camera folds down very neatly, and it and 12 slides fit very snugly into a fine tan leather case with royal blue lining and shoulder strap. It is complete with an ivory strip and a pencil for notes which fit inside the lid, and a key which is still attached. 'The LONDON STEREOSCOPIC & PHOTOGRAPHIC CO. LIMITED, 106 & 108 REGENT ST W AND 54 CHEAPSIDE EC. is on an oval badge inside the lid. The box has a crown over the initials E.I. stamped on the top of the lid, and the whole box containing the folded camera and the 12 slides measures only 175mm x 125mm x60 mm when packed.

The whole package seems to be a portable camera of some sort - it is completely original and in beautiful condition. Can anyone cast some light on the 'camera' and it's provenance?

regards,

Terry Pattison12200933271?profile=original12200933875?profile=original12200934893?profile=original12200935491?profile=original

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12200938287?profile=originalAnd that excludes all the female BPH readers - I hope so! Unless you know of any with a great looking beard. Short or long, young or old! - it doesn't matter.

If you have one, or know someone who does, you're in luck 'cos you could have your image captured in glass by Julia Margaret Cameron, and pocket £250 along the way! Well, not by her directly, but Dimbola Museum and Galleries in Freshwater, Isle of Wight - the home of the famous 19th century photographer. The museum is running a competition for up to eight men to have their facial hair captured on glass using a 150-year-old Victorian method.

Julia Margaret Cameron photographed many eminent ‘celebrity’ Victorians including Charles Darwin (the image on the back of your £20 note!), Alfred Lord Tennyson, GF Watts and the Pre-Raphaelites William Holman Hunt and William M Rosetti. Many artistic Victorians, young and old sported beards as a personal outward sign of their bohemian and creative nature. Julia frequently immortalised these often impressive specimens. Now here’s your chance to contribute to the gathering of the best beards around today, authentically captured in the same processes as Julia used in her original home and workplace here at Dimbola.

The museum will use a specially adapted Victorian camera, as none of Julia Cameron's cameras are thought to exist, and a lens from 1866. The sitter and accompanying friends and family (3 max) must be able to come to Dimbola Museum and Galleries during the day on either the 14th, 15th, 17th or 18th April 2012 for the portrait sitting. Sittings will last between 2 ½ - 3 hrs. Sitters will each receive their own 10 x 8” print of their portrait. 

The friends will be able to follow the progress of the making of each individual plate from scratch, from pouring the liquid negative, sensitising in the darkroom, watching the portrait being taken, to seeing the plate being developed.

The 8 portraits will be exhibited at Dimbola Museum and Galleries during May 2012 where members of the public can vote for their favourite, there will then be a prize giving evening awarding the overall winner £250! 
The last day for nominations for the competition is 31 March. Entry details can be found here. And so, the search begins.

Make way, Movember......

Photo: Charles Darwin, (detail), Julia Margaret Cameron 1868.
Courtesy Royal Photographic Society.

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Herschel archive inventory online at HRC

12200939655?profile=originalThe Herschel collection at the Harry Ransom Center of the University of Texas at Austin now has its complete inventory online. Many colleagues will know of the important material in this archive relating to J.F.W. Herschel's experiments with photographic processes such as argentotype, cyanotype, chrysotype, celaenotype and anthotype.

http://uthrc.convio.net/site/MessageViewer?em_id=9921.0&dlv_id=17761


Newly cataloged collection of science materials now open for research

A collection of science materials from the family of Sir John F. W. Herschel (1792–1871) is now open for research after a $10,000 grant enabled the Center to rehouse the collection and create an online inventory.  John Herschel has been called Britain's first modern physical scientist, and his correspondence has been described as one of the most valuable archives for nineteenth-century science. LEARN MORE or VIEW online inventory.

 

Special offer celebrates recognition of photography catalog

The Gernsheim Collection, co-published by the Harry Ransom Center and the University of Texas Press, received an Alfred H. Barr Jr. Award, which honors a distinguished catalog in the history of art published during the past year. To celebrate this recognition, the Ransom Center is offering editor-signed copies of The Gernsheim Collection at a reduced price of $60 through March 15 at the visitor desk or online. Orders placed by this date will also receive a set of five notecards featuring images from the Gernsheim collection. LEARN MORE.

 

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