The Photographers' Gallery is the UK’s leading centre for the presentation and exploration of photography in all its forms and a dedicated home for an international photographic community. Established in London in 1971, the Gallery has been instrumental in reflecting photography’s pivotal role in culture and society and championing its position as a leading art form through a rich programme of exhibitions, talks, events, workshops, courses and other activities

Team

The Development Team is primarily responsible for fundraising for the annual revenue needs of the Gallery’s programme of activities, beyond what is already generated by the Gallery’s enterprises (Print Sales, Bookshop and Café). The funding relationship with our major stakeholder, Arts Council England (ACE) is primarily handled by the Director and Deputy Director

Role Summary: 

This is an exciting opportunity to join a small, resourceful and dynamic team at The Photographers’ Gallery. The Development Coordinator will have the opportunity to learn about arts fundraising working across all income sources: Individuals, Corporates and Trusts and Foundations. All team members are offered external and internal training for fundraising skill development. The Development Co-ordinator will play a central role in the team, assisting with the day to day administration, patronage fulfilment and administration, coordination of departmental mailings for upcoming events and communications and research projects as instructed by other members of the team. 

To apply please download an application form from https://thephotographersgallery.org.uk/about-us/vacancies and email completed applications to  development@tpg.org.uk

Deadline for applications 5 July 2018

A new exhibitions which examines pictorialism has opened at the museée Nicéphore Niépce and runs until 16 September 2018. Curated by Dr Julien Faure-Conorton Artists' Visions offers a new, broader, view of European pictorialist photography. The exhibition presents recent research and discoveries and is the first exhibition dedicated to pictorial photography in France for over a decade. 

Sourced in the collections of the musée Nicéphore Niépce that preserves works by Robert Demachy and Charles Lhermitte, as well as prints by Constant Puyo, José Ortiz-Echagüe and Alfred Fauvarque-Omez, the exhibition brings together over two-hundred vintage prints. They are the work of various authors, some well-known, others less so. Most of the prints are being shown for the very first time. They were created over a seventy-year period, from the early 1890s to the late 1950s, showing that pictorial photography did not disappear after the First World War, contrary to the established histories of photography would lead us to believe.

Offering an updated, broader vision of the pictorialist endeavour on a European scale, Artists’ Visions results from recent research and discoveries and is the first exhibition dedicated to pictorial photography for over a decade in France. This exhibition challenges the established narrative and offers a new history acknowledging the permanence of the pictorialist ideals. These ideals were built on a shared ambition: to create photographs that wanted to do more than simply reproduce the real, photographs that truly interpreted it, like an artist’s vision.

Pictorial photographers, in their quest to free photography from the simple function of documentary reproduction to which it had been reduced since its invention, strove to create images where personal feelings took precedence, images that expressed something poetic or dreamlike, that suggested more than they showed, producing, above all, an impression, aiming to provoke a feeling, an emotion in the viewer. To do so, pictorial photographers resorted to interpretation, meaning the intervention of the artist in the photographic process using various technical tools aimed at transforming the aesthetics of the image so that the original photograph (the negative) gave birth to an artistic picture (the exhibition print). At the turn of the 20th century, pictorial photography was extremely popular worldwide with thousands of followers who spread their works in ambitious international exhibitions and luxurious publications.

The exhibition is curated by photography historian Dr Julien Faure-Conorton in connection with Sylvain Besson at the musée Nicéphore Niépce.

A catalogue is available and can be had by emailing: jfc.photohistory@gmail.com

Musée Nicéphore Niépce
28 quai des messageries
71100 Chalon-sur-Saône
+33 [0]3 85 48 41 98

www.museeniepce.com

The DGPh History of Photography Research Award 2018 will be open for all elements of research into photography's many aspects. Besides aspects of traditional history and theory of photography, topics will be considered that deal with photography's social meaning, or the impact that the medium has had on society. The applicant's work should represent an autonomous, innovative, and original contribution to these areas. The award is particularly aimed at young scholars.

The award is open to researchers from all fields. Applications and manuscripts for the DGPh History of Photography Research Award may be submitted in either English or German. Applications should consist of a published or unpublished manuscript produced during the last two years before the deadline. Project outlines, or yet unfinished manuscripts etc. will not be accepted. Allocation will be the decision of an expert jury. The award is endowed with a total of 3,000 Euro. The jury holds the right to split the prize between two applicants in equal parts. The award will be handed over at a public event organized by the DGPh.

Submission requirements are the following pdf-files:

- A complete manuscript as electronic file form
- An abstract of the submitted work (approx. 300-500 words)
- A curriculum vitae
- A list of publications

The final date for submissions is the 30 September, 2018.

Submissions should be send online under: https://www.dgph.de/sektionen/geschichte_archive/ausschreibung-dgph-forschungspreis-photographiegeschichte-2018

More information about the German Photographic Society: www.dgph.de

The National Portrait Gallery has acquired eleven portraits, including one self portrait, shown right) by Philippe Garner. Garner will be known to many as an auctioneer who started the first auctions of photography in the United Kingdom in 1971 at Sotheby's before he moved to Christie's, where he is remains a consultant. 

Garner had kept his interest as a phootgrapher discretely hidden during his auction career but his subjects reflect his involvement with photography, and include curators, photographers and critics. He felt the time was now right to make his own photography public. 

Read an interview with Garner here where he talks about his own photography.

See his 11 images here: https://www.npg.org.uk/collections/search/person/mp124605/philippe-garner?search=sas&sText=garner&role=art

We are recruiting for a full time Curatorial Project Manager, a key role in our newly expanded curatorial and archive team of four.

You will provide the project management and logistical support necessary to develop and deliver our dynamic curatorial programme of exhibitions on and off site, publications, artist commissions, residencies, special projects & associated archive, collection and editions related activity.

You will also have the opportunity to make curatorial proposals for possible inclusion our programme.

Application deadline: Monday 9 July 2018 by 5pm.

Download the job pack and application form below. If you have any questions about the role or application process, please contact info@autograph-abp.co.uk or phone 020 7729 9200.

Read more here: http://autograph-abp.co.uk/news/curatorial-project-manager?mc_cid=e6e0483bcb&mc_eid=dee88b2478

Kent Museum of the Moving Image (MOMI) is a not-for-profit museum that explores the deep history of the moving image — from the days of candle-lit magic lantern performances and hand-painted slides, through Victorian visual experimentation, to the advent and heyday of the cinema.

The museum is situated in the heart of the picturesque Kent seaside town of Deal, two minutes' walk from Deal Railway Station and Deal Pier and Seafront.

The Kent MOMI website is live at kentmomi.org. 

Read more here: https://www.theguardian.com/culture/2018/may/28/museum-film-moving-image-deal-kent-cinema

We are looking for a specialist to set up and lead a new photographs department within a thriving and expanding  Auction House.  Our client is aiming  to establish themselves in the middle market for the sale of photographs that span the history of the medium but which may initially focus on modern, post-war and contemporary photography.

The successful candidate will have an excellent understanding of photographs and the marketplace, and have the skills and aptitude to establish the department.

Areas of Responsibility

Responsibilities include but are not limited to the following:

Strategic and business development

• Develop business contacts and strategic opportunities, including developing auction and private sales strategies

• Identify and maintain relationships with all client categories (collectors, dealers, galleries etc), and particularly the ability to work with major clients in the consignments and sale of high value property

• Liaise on material in the field with other internal departments: pre-press, marketing, public relations etc.

• Proactively research and gather information into the marketplace/trends/buying & selling patterns

Valuations, cataloguing, pre and post-sale responsibilities

• Analyse and respond to incoming written, phone and photo enquiries to determine sale potential

• Work alone and with colleagues to determine provenance, authenticity, value, condition, and marketability of property

• Write and prepare catalogue essays, work on catalogue production and layout, as appropriate

• Coordinate pre-sale exhibition set-up

• Work with buyers during sales, including weekend exhibitions, to market and sell the sale

• Work with the Marketing team, to help develop a coordinated marketing plan to achieve budgeted sale totals

• Participate in telephone bidding with clients during the auction

• Participate in the full after-sales analysis, and implement any agreed changes

General

• Ensure compliance with all internal policies and procedures and any relevant external bodies or processes

• Participate in organization-wide meetings, activities and processes, and develop internal contacts, networks and interactions as appropriate

• Actively participate in events, valuation days, and other functions to represent the client

• Carry out other duties as required 

Person Specification

Essential skills and experience

• Extensive experience in the field, either at auction, within the trade or at another relevant institution e.g. gallery or own business

• Proven ability to develop relationships with the major collectors, dealers and galleries

• Excellent writing skills in English, and ability to combine an understanding of the material with a commercial sense of marketing and promoting value

• Excellent verbal communication and interpersonal skills, including first class spoken English

• Ability to work to tight auction deadlines, balancing photography, cataloguing, sale organisation, marketing and promotional details

• Experience working with on projects of all sizes, long- and short-term; demonstrated ability to prioritise a variety of concurrent projects

• Excellent knowledge of the Microsoft Office Suite (Word, Excel, PowerPoint, SharePoint, Outlook etc)
• Superior client service skills
• Strong follow-up skills with attention to detail
• Ability to thrive within a fast-paced team environment

Desirable qualifications

A qualification relevant to the field e.g. degree in photography, contemporary art, fine art

Closes 10 July 2018

Apply here: https://jobs.theguardian.com/job/6742450/auction-house-specialist-photographs/

Richard Ovenden's lecture will explore the life and work of one of the greatest innovators in the history of the photography. John Thomson was the first to photograph the ruins of Angkor Wat, the first Western photographer to travel extensively in the interior of China, and the first photojournalist to document the lives of everyday people on the streets of Victorian London. His life and work will be set in context and will focus on the major contributions he made to the establishment of photography as one of the great modern means of communication.

Richard Ovenden is Bodley’s Librarian at the University of Oxford. His book John Thomson (1837–1921) Photographer, published two decades ago, remains one of the most authoritative works on John Thomson.

There will be an opportunity to visit the exhibition at the Brunei Gallery - China and Siam: Through the Lens of John Thomson after the lecture.

The Icon Photographic Materials Group, Tru Vue and The National Archives are delighted to announce an evening lecture by Professor Debra Hess Norris, titled: I’ve Just Seen a Face: The Preservation of our Global Photographic Heritage. 

Photograph and film collections are held in museums, libraries, archives and private homes all over the world: they document our global heritage. These materials are deteriorating owing to exposure to poor environmental conditions, inadequate storage, and natural disasters. During this presentation, Debra will introduce the fundamental properties and care of photographic print and negative collections and address why their preservation is vital and relevant.

The lecture is aimed at conservators, historians, curators, photographers, artists and collection managers as well as interested non-specialists. The talk will be followed by a drinks reception.

Debra Hess Norris is Professor of photograph conservation at the University of Delaware, and an internationally renowned author, teacher and lecturer.

In the nineteenth century, Scotland was a pioneer of photography. A leading practitioner was George Washington Wilson, whose innovations in stereoscopic photography created some of the most captivating 3D images. Join photographic historians Dr Brian May and Professor Roger Taylor as they trace Wilson’s career, show key examples of his work using a stunning new 3D projection system and present their accompanying book, George Washington Wilson, Artist and Photographer, published by the London Stereoscopic Company.

To book: https://www.edbookfest.co.uk/the-festival/whats-on/brian-may-roger-taylor-12047

For those unable to attend the book is available from 20 July, published by the London Stereoscopic Co. It is a heavily revised and updated version of Taylor's original 1981 publication. 

Photoworks is seeking to recruit a new Chair to lead its Board of Trustees, plus several new Board members to help guide its vision and development.

It’s working as one team to deliver impressive projects. And it’s the satisfaction of presenting, and promoting, one of the world’s greatest and most diverse art collections. This is what makes working for Royal Collection Trust so different.

In terms of both quality and diversity, our collection of photographs is breath-taking, with works dating from the 1840s to the present day.

It's a 'living' collection, yet there are fascinating stories here that have lain untold for decades. Joining the team at the heart of uncovering these, you'll help to research and bring them alive – not just through inspiring exhibitions but also catalogues, presentations and displays.

Developing your own expertise, as well as the teams' knowledge, you'll also share your discoveries with a wider audience through presentation and interpretation.

At the same time, you'll make sure the photograph collection has proper custodial control, and will edit and update existing online records, ensuring they are accessible and easy to navigate.

Drawing on expertise from teams across Royal Collection Trust, collaboration will be part of your daily routine and will be key to your success.

But, above all, your passion for engaging people with history will help to preserve the photographic heritage of this unique collection.

Read more and apply here: https://theroyalhousehold.tal.net/vx/appcentre-3/brand-3/candidate/so/pm/1/pl/6/opp/1766-Assistant-Curator-of-Photographs/en-GB

Funded by the Clare Hampson Fund, the internship will focus on the conservation of photographic materials as well as giving the intern the opportunity to develop their understanding of audience engagement.

The National Archives is the official archive and publisher for the UK Government and guardian of over 1,000 years of iconic national documents. We are hosting an internship in the conservation of photographs. The intern will research and implement conservation treatment on photographs and engage audiences in their work.

The closing date is 14th June 2018 at 9am. 

Click here: https://icon.org.uk/what-is-conservation/internships and click 'vacancies'

Dawn Parsonage is a Photographic artist and collector of found photography based in London. For over 20 years she has collected thousands of photographs, negatives, slides and stereo-cards from anonymous photographers. Concentrating on the 1850s-1950s, she searches for the unexpected, humorous, emotive and beautiful. Images, that when viewed with a modern eye, are just as emotive as those taken by named and celebrated photographers. 

The talk will take a broad look at her collection and ask:

• What can these forgotten images teach us about our own relationship with photography today? 
• Can the act of collecting found photography be viewed as an art form? 
• What role do images which have begun to degrade play in Dawn's work?
• How did the progression in photographic technology influence these images? 
• How does Dawn's collection influence her own photography?
• What is the future of found photography?" 
  https://www.dawnparsonage.com/

Limited places are available. 
£3 per ticket, 

Book here: https://www.liop.co.uk/talks/

This is the first monograph exploring how, throughout its history, sculpture has provided a model to conceptualize photography as an art of mechanical reproduction. While there is a growing body of work examining how photography has contributed to the development of a Western 'sculptural imagination' by disseminating works, facilitating the investigation of the medium, or changing sculptural aesthetics, this study focuses on how sculpture has provided not only beautiful and convenient subject matter for photographs, or commercial and cultural opportunities for photographers in the market for art reproductions, but also an exemplar for thinking about photography as a medium based on mechanical means of production. In both media, processes from conception to realization involve apparatus that bypass the 'touch of the artist' - so important to enduring notions of the value of works of art.

The book closely analyses a number of case studies, from 1847 to the present, selected both to explicate the conceptual and technological continuities between the two media, and also because of how they illuminate the materiality of photographic objects. The final chapter considers the convergence of the two media in contemporary sculptural practices that use forms of 3D photography and computer-operated sculpting machines. 

Rooted in an understanding of the practical, social and aesthetic implications of photographic as well as sculptural technologies, this volume demonstrates how photographs of sculpture are particularly useful in revealing how photography's changing materialities shape the meaning of images as they are made, circulated, looked at, written about and handled at different historical moments.

Sculptural Photographs. From the Calotype to Digital Technologies
Patrizia di Bello
Bloomsbury, 2018

See more and order here

Find out more about the Victorian obsession with the photography of death with this short film from the BBC. Interviewees include Dr Kelley Wilder, director of the Photographic History Research Centre in Leicester. 

See: https://www.bbc.com/ideas/videos/the-curious-era-of-death-photography/p066vrf0

With the joining of the Royal Photographic Society Collection to its own the Victoria and Albert Museum now has one of the largest and most important photography collections in the world. Gain privileged access to the museum's collection and expertise by joining one of two upcoming photography evening courses:

• History of Photography: Tuesday 2 October 2018-Tuesday 27 November 2018. The V&A has been acquiring photographs since the 1850's and the collection has grown to be one of the largest and most important in the world. Coinciding with the opening of our new Photography Centre, this course will present an overview of the history of the medium, taught by the team of specialists who care for this diverse collection. During sessions in the Prints & Drawings Study Room, you will have the opportunity to view up-close magnificent original works not currently on display, from rare early treasures by the inventors of photography to twentieth century masterpieces and cutting-edge contemporary pictures.
• Fashion Photography: Tuesday 7 May 2019 - Tuesday 18 June 2019. Gain an overview of the history of fashion photography, from the blossoming of the medium in the early twentieth century to the modern day. The emergence of fashion photography as a distinct genre goes hand in hand with the burgeoning illustrated magazine industry. Publications such as Vogue and Harper’s Bazaar employed some of the period’s most celebrated photographers in the realm of fine art. As editorial shoots or advertisements, fashion photographs throughout history have helped to shape culture and reflect the dramatic changes in women’s roles.

These courses tend to fill very quickly and early booking is recommended. See full details here: https://goo.gl/4Mjoe5

Photographs by four of the most celebrated figures in art photography will go on show at Sheffield’s Millennium Gallery this summer in a major new exhibition, Victorian Giants: The Birth of Art Photography, which comes to the city direct from the National Portrait Gallery.

Lewis Carroll (1832–98), Julia Margaret Cameron (1815–79), Oscar Rejlander (1813–75) and Lady Clementina Hawarden (1822-65) shared an experimental approach to picture-making and their radical attitudes towards photography have gone on to inform artistic practice ever since. Victorian Giants is the first exhibition to examine the relationship between these four ground-breaking artists. Drawn from public and private collections internationally, it features some of the most breath-taking images in photographic history, including many which, prior to the exhibition opening in London, had not been seen in Britain since they were made.

Oscar Rejlander was a Swedish émigré with a mysterious past; Julia Margaret Cameron was a middle-aged expatriate from colonial Ceylon (now Sri Lanka); Lewis Carroll was an Oxford academic and writer of fantasy literature; and Clementina Hawarden was landed gentry, the child of a Scottish naval hero and a Spanish beauty, 26 years younger.

While the four seem an unlikely alliance, Rejlander served as occasional mentor to Carroll, Cameron and Hawarden in different capacities. They maintained lasting associations, exchanging ideas about portraiture and narrative and although the four photographers developed distinctive styles, the overlap in their approaches has at times made it difficult to separate their output. Influenced by historical painting and frequently associated with the Pre-Raphaelite brotherhood, they formed a bridge between the art of the past and the art of the future, standing as true giants in Victorian photography. 

• Amongst the highlights of the exhibition are Lewis Carroll’s photographs of Alice Liddell, his muse for Alice in Wonderland. Visitors will see Caroll’s much-loved images of Alice as a child alongside less well-known photographs he made of Alice years later, showing her as an adult. The exhibition brings together these works for the first time, as well as Alice Liddell as Beggar Maid, on loan from The Metropolitan Museum of Art, New York. 
• Victorian Giants also features Oscar Rejlander’s famous picture, Two Ways of Life (1856-7), which used his pioneering technique combining several different negatives to create a single final image. Constructed from over 30 separate negatives, the work was so large it had to be printed on two sheets of paper joined together.
• The exhibition will include seldom-seen original negatives by Carroll and Rejlander, offering a chance to see ‘behind the scenes’ as they made their pictures.
• Visitors will be able to explore how each photographer approached the same subject, such as Cameron and Rejlander’s respective photographs of the poet Alfred, Lord Tennyson and the images they made of scientist Charles Darwin, or when Carroll and Cameron both photographed the actress, Ellen Terry. The exhibition will also include the legendary studies of human emotion Rejlander made for Darwin, on loan from the Darwin Archive at Cambridge University.
• Victorian Giants will also feature a selection of images which are accompanied by personal captions written by HRH The Duchess of Cambridge. A Patron of the National Portrait Gallery since 2012 and an enthusiastic amateur photographer, The Duchess has written a foreword to the exhibition catalogue in which she discusses her interest in nineteenth-century photography, the subject of her undergraduate thesis while an art history student at the University of St Andrews.

Kirstie Hamilton, Director of Programmes at Museums Sheffield says: ‘We’re delighted to continue our partnership with the National Portrait Gallery with this exhibition. Victorian Giants is a fascinating celebration of how these artist’s radical approaches to image-making completely transformed photography. The remarkable stillness and incredible beauty in these works is truly captivating and we’re thrilled to have the opportunity to show them here in Sheffield.’

Victorian Giants: The Birth of Art Photography opens at the Millennium Gallery on Saturday 30 June and continues until Saturday 23 September 2018. Entry to the exhibition is free. 

A series of lectures and associated public events will be held alongside the exhibition.  Find out more here: http://www.museums-sheffield.org.uk/

Image: Oscar Rejlander, The Evening Sun.

In October 1843 a package of cyanotype photographs was delivered to the Royal Society. It had not been donated by the inventor of photography William Henry Fox Talbot FRS (1800-1877), or the inventor of the cyanotype photographic process Sir John Herschel FRS (1792-1871). The collection of stunning blue and white photographs was the gift of a Mrs Atkins of Halstead, Kent.

Read more of Rose Teanby's blog with the Royal Society here: http://blogs.royalsociety.org/history-of-science/2018/05/22/gift-1843/

Come and join photo historian Denis Pellerin for a free 3-D talk celebrating the life and achievements of Charles Wheatstone and the 180th official birthday of stereoscopy.

Charles Wheatstone started his professional career as a musical instrument maker and invented several instruments, including the Concertina. He was Professor of Experimental Philosophy at King's College London from 1834 to his death in 1875. On 21 June 1838, he presented to the Royal Society his newest invention, the Stereoscope, that enabled, even before photography was invented, re-creating the illusion of depth with two slightly different flat perspectives.

London: Kings College, Bush House
Thursday, 21 June 2018 
1830-2000
Book here.