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Walter Kevis worked as a photographer from the 1870s to 1908. Following his marriage to Emma, they settled in Petworth, where he specialised in portrait photography. He also undertook much outdoor work too.

His shop in Lombard Street had a built-in studio made of wood and glass on the second floor where most of his photographs were taken, His wide ran the downstairs tobacconist shop. In his publicity, Kevis described himself as a "Portrait & Landscape Photographer". The bulk of Kevis's photography business was devoted to the production of studio portraits, both in the small "carte-de-visite" size and the larger "cabinet card" format, yet he was prepared to do work away from the studio, offering to take "landscapes etc" to order.

Virginia Cottage in Lombard Street is now being sold by land and property auctioneers Clive Emson in November.

I recently acquired an amazing group of circa 40 glass stereoviews depicting prison life in the penitentiary of Clermont [Clermont-Ferrand, I believe) in the Auvergne in France. In addition to life in prison, they depict exhibits at the Exposition  Penitentiaire. Although I can not find any reference to where and when this exposition was organised, I assume it formed part of the Exposition Universelle of Paris in 1889. However, in my opinion, the most interesting images are those dedicated to prison life. Although clearly staged, they provide a fascinating glimpse into a Dickensian world. Among others there are scenes of the prison courtroom, washerwomen, young boys fencing, the kitchens, and many, many others. I suspect the images were made on order of a ministry or other government body to show how modern,humane and efficient the new prison (or workhouse) functioned. Anyway, I am fascinated by these views and am trying to find out more about them. Perhaps there is anyone out there who can tell me more ?! 

This from an email into the Press Photo History Project: 'I am looking and have been looking for years now, for the photographs that Tomas Jaski took of my niece’s christening (Eleanor Virgo) at Westminster Abbey in May 1991, which features several photographs of my children. 
Tomas Jaski had a ground floor studio and shop front at 38 Wellington Street, London WC2 in the 1980s. He is no longer at this address.'

Tomas Jaski - real name Mr Zbigniew Jastrzebski

• Born in 1927
• A director/photographer at Tomas Jaski Limited. Established in 1961, dissolved 2001.
• Thomas Jaski took official photographs at the Royal Academy of Music for many years until c.late 1980s.

....More here: Press Photo History Project

Thanks !

The Ryerson Image Centre (RIC) is excited to offer three research fellowships in 2014. Research fellows will have the opportunity to study the RIC’s collections first-hand, including the famous Black Star Collection of approximately 292,000 photojournalistic prints, a fine art photographic collection, as well as several world-renowned artist archives. Fellows will work at the RIC’s premier research centre, which conducts cutting edge primary research, and offers workshops, conferences and a number of publication programs.

Two research fellowships at the PhD level will be awarded, each of which includes a $3,000 stipend. The RIC will also offer one research fellowship at the MA level, with a stipend of $1,500. Candidates must hold or be working on the respective degree.

application is now available for download:http://www.ryerson.ca/content/dam/ric/PDF/Fellowship-Guidelines-Final.pdf

Applications for the opportunity to conduct research on the RIC's collections are due October 31, 2013

It has been reported that the deadline placed by the UK government on a temporary export ban on the ‘Signor 1857' - an album containing 35 works by various photographers, belonging to Julia Margaret Cameron, lapsed last night.

A prospective UK buyer was - despite significant efforts - unable to raise the £121,250 needed to secure it , even after the government-extended 3-month export ban.  Neither the name of the buyer, nor the destination of the album, have been disclosed. The DCMS would not say if the prospective purchaser was a UK organisation, or an individual.

You can read the full report here and how BPH reported the original sale and export licence deferral here (http://britishphotohistory.ning.com/profiles/blogs/export-cameron-album-121-250-needed-to-save-it) 

The news comes at a time when Sotheby's is about to auction another, and previously unknown, Cameron album (see: http://britishphotohistory.ning.com/profiles/blogs/auction-newly-discovered-album-complied-by-julia-margaret-cameron) 

Pete James, Curator of Photographic Collections at the Library of Birmingham will discuss how, over the last 148 years, Birmingham’s four libraries have been the subject of a wide range of projects by architectural, documentary and amateur photographers. The talk will explore some of the ways in which the libraries and their staff have been represented, recorded and celebrated, culminating in the Reference Works project.

The Library of Birmingham holds some 3.5 million items ranging from daguerreotypes to digital works by lead contemporary artists. In 2006 the collection was awarded Designated Status by the Museums, Libraries and Archives Council in recognition of its national and international importance.

The Library of Birmingham, Arts Council England and collaborative partners have created GRAIN, a hub and network of photography within the region. The combination of REFERENCE WORKS and GRAIN will make The Library of Birmingham a national and international centre for photography.

The event is the second in a series of Artists Talks linked to REFERENCE WORKS at the new Library of Birmingham.

Archival Sources - A talk by Pete James
Wednesday 16^th October

6:00 - 8:00 pm

Admission Free

Meeting Room 4 - The Library of Birmingham, Centenary Square, Birmingham.

http://www.reference-works.com

http://libraryofbirmingham.com

http://grainphotographyhub.co.uk

A descendant of Victor Albert Prout was published a book about this photographer. Victor Albert Prout (1835-77) came from a family of artists and was himself an artist as well as an early photographer. He lived in Australia for a total of eighteen years, first as a child with his father, John Skinner Prout, and later returned there with his wife and children when he worked both as a photographer and a portrait painter. For 130 years nothing more was known about him but his work is now prized and collected in museums and galleries in many countries, including Australia, America, the United Kingdom and Germany. The story of his own and his family's life, and his own tragic death, has now been written.

The book is available from the publishers J & J Osmond, at Joan.Osmond@tesco.net

As a photographer who engages with culture and tradition in my work, I am, not unnaturally, aware that there is some point where contemporary photography becomes the stuff of photographic history.

In this spirit, I should like to draw fellow members' attention to my exhibition PHOTOGRAPHIES (details in events). The exhibition contains four sets of prints (Surreal?, Voiture, Oradour, ART) looking at ways photography relies on perception, realism, cultural reference and time.

You may view the exhibition online at this private gallery link: PHOTOGRAPHIES

A pdf briefing on the exhibition is available HERE

An afterthought: does anyone else see E H Shepard's Piglet (from Winnie the Pooh) in the shadow of the Miro? As cross-cultural references go, that may be somewhat extreme, but now I've seen it, I can't "un-see" it....

In 1908, thirty-one-year-old American adventurer Robert Sterling Clark organized a scientific expedition to northern China for the purpose of creating a detailed geographical survey of the area, recording daily meteorological observations, photographing the people, places, and landscapes, and collecting samples of the flora and fauna.

Departing from the city of Taiyuan in Shanxi province, the Clark expedition traversed “Shên-kan” (the provinces of Shaanxi and Gansu), reaching as far westward as Lanzhou before returning to Taiyuan. In all, the team covered nearly 2000 miles (3200 km), primarily on horse and mule. A complete documentation of their journey, Through Shên-kan: The Account of the Clark Expedition in North China, 1908–9, was published in 1912. Despite having devoted a number of years to planning the expedition, Clark never again returned to China. In 1910 he settled in Paris and began collecting art, an interest that would become the passion of his life.

Shanghai Museum is hosting this exhibition until 1st Dec 2013, details of which can be found here. 

For those BPH readers with an interest in Whitby, or the genius of Sutcliffe as one of Britain's most famous photographers - he was awarded an honorary fellow by The RPS in 1935, and was a prolific writer for Amateur Photographer - there is an article to celebrate his birthday which you can read in the Whitby Gazette here.

The Guardian has reported that the National Media Museum has purchased Richard and Cherry Kearton's movie camera which appeared at auction in Newcastle recently. The £4000 acquisition was made with the support of the Royal Photographic Society - both Kearton brothers were members of The Society. The early 20th Century hand-cranked 35mm Urban Trading Company motion-picture camera was used by Cherry Kearton on his trips to Africa in the first two decades of the last century. It will be included in upcoming exhibitions dealing with scientific and war photography.

Richard and Cherry Kearton, working from the 1890s, and were possibly the world's first professional wildlife photographers. Starting at home in the village of Thwaite in north Yorkshire with a cheap box camera, they managed to capture some of the finest early pictures of in their nests, insects, and mammals. But having no telephoto lenses or fast film, they had to lug around massive plate glass cameras and devise ever more bizarre ways to get close to their shy quarries. 

Cherry Kearton became the Attenborough of his age, moving into wildlife documentaries, working with US President Roosevelt and travelling on safari to east Africa, Borneo and elsewhere. He took some of the first film of the first world war, at Ypres, and went on to found a film company. He died on the steps of the BBC having just broadcast a film he had made about his pet ape, Toto. 

Read the full report here: http://www.theguardian.com/environment/2013/oct/06/wildlife-photography-pioneers-attenborough-camera

On 28 September Dr  Afzal Ansary ASIS FRPS, as a member of the DGPh and on behalf of the chair of the management board, presented Dr Michael Pritchard FRPS with corresponding membership of the Deutsche Gesellschaft für Photographie (DGPh).

The DGPh, based in Cologne, is an internationally respected organization which brings together leading individuals in the photographic world for the purpose of promoting all aspects of photography, across its artistic and scientific applications.  Members are elected in recognition of their services to photography in the broadest sense and the DGPh currently has more than 900 members.

Michael was elected for his contribution to the study of photographic history. He is Director-General of The Royal Photographic Society and a photo-historian. 

Image: Dr Afzal Ansary (left) and Dr Michael Pritchard (right). Photo: Robert Gates ARPS.  

UPDATE 28/10/2013: This event has been cancelled. 

On 5 December 2013 the Getty Conservation Institute is holding a one-day symposium Turning Over An Old Leaf: Thomas Wedgwood, Humphry Davy, and Their Early Experiments in Photography. 

The first published article on photography "An Account of a method of copying Paintings upon Glass, and of making Profiles, by the agency of Light upon Nitrate of Silver. Invented by T. Wedgwood, ESQ. With Observations by H. Davy" was published in 1802 by Humphry Davy in the Journals of the Royal Institution.

In his article, Davy described his and Thomas Wedgwood's pioneering work experimenting with light-sensitive materials, creating photographic copies of plant leaves, and testing the feasibility of creating "views from nature" using a camera obscura. Generations of photography historians have searched for any material sample of Wedgwood and Davy's experiments, as these photographic images, if found and authenticated, would be nearly a quarter of a century older than Niepce's "First Photograph."

In April 2008, a photographic image known as The Leaf was placed for auction. The image attracted a great deal of interest from photography experts and enthusiasts when questions were raised about its origins. The Leaf was subsequently removed from auction for further research.

Turning Over An Old Leaf will present results of recently completed scientific analyses by GCI scientists of The Leaf and results from analyses of two botanical images from the Getty Museum's collection that once belonged to the same album as The Leaf, an album of photographic images assembled by British watercolorist Henry Bright.

Conservation scientists and conservators from the Metropolitan Museum of Art will present results from their analytical study of Shark Egg Case, an image from their collection that was also part of the album assembled by Bright.

These scientific results and findings will be discussed in light of current advances in historical research of the Henry Bright album and in light of a series of experimental scientific, photographic, and recreational studies of the photographic work of Thomas Wedgwood and Humphry Davy as described in their 1802 article. In addition, demonstrations will be held to provide symposium participants with a deeper insight into photographic experiments from this important era of the prehistory of photography.

List of Scheduled Presenters

Geoffrey Batchen, Victoria University of Wellington, New Zealand

Roy Flukinger, Harry Ransom Center, University of Texas, Austin

Michael Gray, Image Research Associates, United Kingdom

Art Kaplan, Getty Conservation Institute, Los Angeles

Nora Kennedy, Metropolitan Museum of Art, New York

Jill Quasha, Private Photography Dealer, New York

Grant Romer, Independent historian of photography, Rochester

Larry J. Schaaf, Independent historian of photogrpahy, Baltimore

Dusan Stulik, Getty Conservation Institute, Los Angeles

Frances Terpak, Getty Research Institute, Los Angeles

For more information, contact oldleaf@getty.edu or see: https://www.getty.edu/conservation/publications_resources/public_programs/turning_over.html

Titled Sharing Photography and Photographs, the event is a series of talks which will explore an alternative history of photography as a shared activity.

Roger Hargreaves will give a talk while Colin Harding will look at the work of groups such as the Photographic Exchange Club in the 1850s as well as later manifestations of print-circulating societies such as the Postal Photographic Club in the 1890s.

The talk is organised by the National Media Museum in conjunction with The Royal Photographic Society and will be held on 25th Oct. For more details on booking, times etc, click here.

Derek Birch takes over from Roy Robertson and is the sixty-third President since the Society's was formed in 1853.

"Reflecting The Society's interests across the art and science of photography Derek's background is from the science of traditional photography," says the Society. "For 33 years he worked for Kodak as a research scientist helping to develop products including colour films and papers. He retired in 2006."
Birch joined the Society in 1986 and has been active within its Imaging Science Group. He was Vice-President between 2011 and 2013 and has chaired the Science Committee.
"I am deeply honoured to have been elected president" comments Birch. "The Society has much to offer all photographers as well as supporting all aspects of imaging more widely. During my term as president I would like to build on the work of my predecessors and further enhance the Society's educational role through online learning and to expand the membership which will allow us to more fully realise our founding aim of promoting photography."

Birch will serve his term until 2015. You can read the full report here.

The first Anamorfose Cahier is a photo essay about the two World Wars who dominated Europe in the twentieth century. The Cahier is based on vintage photos from the Anamorfose photo collection.

The essay starts with photos of destroyed Ypres over photos of the upcoming nationalism in Germany with a private album of a German Officer towards the landing in Normandy with vintage photos taken by Capt. Herman Wall to the liberation of the camps.Some of this photos are published for the first time.

Some of these images may shock you.